Dear Liz Garbus,
After watching “What Happened, Miss Simone?”, I truly felt
as if I knew Nina. I tasted her voice. I could predict her next outburst. I
savored the next time she would discipline the audience. I could run my fingers
over her pride. Now, as I listen to her songs, I can see her hunched back
protecting the piano keys. Her constant glance at the audience to make sure
every member is devoting his or her full attention exclusively to her. Liz
Garbus you truly breathed life into the woman and I thank you for that.
However, with this exposé comes a certain degree of
discomfort: you showed Simone’s “demise”, characterizing nearly as a
fundamental flaw in her persona. All of a sudden, Nina – as a result of her
fame and widely-accepted success – was at fault for “losing control.” She was
supposed to “keep it together.” People said she shouldn’t have played political
songs. She should have kept it together. Eventually, she even believed this:
She says, “I wouldn’t change being part of the Civil Rights Movement. I wouldn’t
change that. Buts of the songs that I sang have hurst my career. All of the controversial
songs the industry has decided to punish me for. They put a boycott on all of
my records and it’s hard for me to incorporate those songs anymore because they
aren’t relevant to the times.” (1:26:44)
Even the title of the film, “What happened, Miss Simone?” accentuates the fact that something “wrong”
happened. It implies that Nina Simone is no longer a “Miss Simone” but an
entirely different title. In exposing her life, you seem to push her legacy in
a different direction. She is no longer an iconic singer, but an iconic singer with problems. My question is: why is
there such a stigma regarding her problems? How can audiences expect her to go
through so much without changing her behavior? How can we expect her to have
witnessed the horrors of the Jim Crow era and not write a song about it? I simply hope that the audience is able
to recognize that many of the struggles that Nina went through were triggered
by the society she lived in. I worry that the audience and society as a whole
expects Nina to fit a mold. One that isn’t realistic for anyone -- let alone a
woman who has gone through so much -- to fit into.
wow I think you articulated something that's difficult to discuss very well: the idea that women are dynamic and ought to be allowed to age. this is radical in today's world and I'm glad you brought this to discussion
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